BIO
W i l l P a p p e n h e i m e r
back
to willpap-projects
Present
Position:
Artist, living and working Brooklyn, NY
2004-Present: Assistant
Professor, Digital Media, Pace University, New York, NY
1999-2004 Assistant
Professor, Area Coordinator Electronic Intermedia,
Department
of Art & Art History, University of Florida, Gainesville, FL
Education:
MFA, School of the Museum of Fine Arts, Boston, MA, 1997
BA, Harvard College, Visual and Environmental Studies, Cambridge, MA
Upcoming
Exhibitions:
2008 “Rhizome
Commissions 2008,” New Museum, New York
“Traveling
Scholars,” Museum of Fine Arts, Boston, Feb. 5
2007 “Invisible
Influenced,” Turbulence.org,
Net Art Commission
Collaborative project, “Before and After,” Kristin Lucas,
Postmasters
Gallery, NY
Selected Exhibitions:
2007 “Counting Cars,” Conflux, New York
“Place Relations,” 4 person exhibition, Kunstraum Walcheturm, Zurich
“This Is Not The Future,” Vox Populi Gallery, Philadelphia, PA
“Public
Mood Ring,” Urban Institute
for Contemporary Art,
Grand
Rapids, Michigan
2006 “Hypertexturalities,
(Architectures and Morphologies)” curated by Lee Klein,
Florence
Lynch Gallery, Chelsea, New York
ISEA2006/ZeroOne
festival, “C4F3,” Inter-Society
for Electronic Arts,
"Net-Gift
Mood Systems,", San Jose Musem of Art, San Jose, CA
cabaret voltaire, Zurich, Switzerland
IV06 and CGIV06 Symposia,
Digital Art Gallery Online, London, England
and
Sydney, Australia
Parnassus benefit Auction, Heidi Cho Gallery, Chelsea, NYC
2005 FILE
2005, International Festival of Electronic Language,
“Breath
On Me,” SESI
Art Gallery, Sao Paolo, Brazil
Synthesis
and Distribution: Experiments in Collaboration,
Pace
University, Art Galleries, New York, NY
“X
INDUSTRIA CAFKA 05,” hosted by the Contemporary Art Forum
Kitchener
and Area, Kitchener, Onario, Canada
“Sampling Landscape,” Studio Soto, Boston, MA
“Interactive
Futures O5, Technology in the Life World”
Open
Space Centre Gallery, Victoria Film and
Video Festival,
Victoria,
British
Columbia, Canada
2004 “First
to See the Light, 2004,” Quay School of Art Gallery, Wanganui,
New
Zealand
“Video
MUTE,” Judi Rotenberg Gallery, curated by Dina Gwin,
Videospace,
Boston, MA
“Night
of 1000 Drawings,”Artist Space, New York, NY
“Art from the Rucksack 1,”Limerick
City of Art Gallery, Limerick, Ireland
2003 Art
Basel
Miami Beach, curated by Bernice Steinbaum, University of
Florida
Faculty Show, Miami
2002 “Evidencing, Drawing with Light and Pixels,” The
College Art Gallery,
College
of New jersey
Solo
Exhibition, Gallery II, Western Michigan University, Michigan
Free Biennial, ” New
York, New York
3 Person Exhibition, “RE,
Mathew Hincman, Larimer Richards, Will
Pappenheimer,” Studio
Soto , Boston, MA
“37th Annual Art Faculty Exhibition” The
University Art Museum
Gainesville,
FL
2001 “immedia:1901,” Media Union Gallery, University of Michigan
“Deeper
Still,” with Terry Adkins, collaborative video injet stills,
Harn
Art Museum, Gainesville, Florida
“Looking
for Zapaptistas,” collaborative video/performance with
Barbara
Jo Revelle, National Seminar, New York University,
New
York, NY 2000
2000 "Remote," for Christine Hill's"Pilot,"exhibition, a video project with Dave Herman as part of the pilot taping, Ronald Felman Fine Arts, New York, NY
The Graduate School of Europe, Seminar on Choragraphy, Saas Fe Switzerland, August 2000
Telstra Adelaide Festival, Artists Week, Ngapartji Multimedia Center, Adelaide Festival, South Australia,collaborative live video/text web broadcast with Greg Ulmer for "Verve: The Other Writing,"
1999 "Paradise
8," Exit Art, New York, NY
"Digital
Arts & Culture" Conference, Georgia Institute of Technology
Atlanta,
Georgia
"Flicker" The Coolidge Corner Cinema, Brookline, MA
"34th
Annual Art Faculty Exhibition" The University Art Museum,
University
of Florida, Gainesville, Florida
USC
International Digital Works on Paper, McKissick Museum,
University
of South Carolina Columbia, SC
1998 "Video MOS" Thayer Academy Galleries, MA
1997 "The Eighth Triennial," Fuller Museum of Art, Brockton, MA
"Zendada," Mobius artists space, Boston, MA
"MFA
Thesis Exhibition," Tisch Gallery, Aidekman Arts Center,
Tufts
University, Medford, MA
"Irony
Rules: Incongruity in Video," VideoSpace at Mobius,
Boston,
MA
1996 "50/50,
Video works from New York City and Boston Artists,"
VideoSpace
at Landsdowne Street Playhouse, Boston, MA
"Six Figures," Gallery Naga, Boston, MA
"From
Fact to Fiction," VideoSpace at Landsdowne Street Playhouse,
Boston,
MA
"Film and Video Annual" juried, Remis Auditorium, Museum of Fine Arts, Boston, MA
1995 "the
Unexpected," Tisch Gallery, Aidekman Arts Center,
Tufts
University, Medford, MA
1993 "In
Other Gardens," Installations by five artists, The Somerville
Museum,
Somerville, MA
"The 753629 Group," Brickbottom Gallery, Somerville, MA
1993 "Artcetera," Auction to benefit The Aids Action Committee, Boston, MA
1991 "The
David Jacob Chodorkoff Collection, Detroit Institute of the Arts,
Detroit,
Michigan
1989 "Boston Now" The Institute of Contemporary Art, Boston, MA
Fellowships, Grants
and Awards:
2007 “Rhizome
Commissions 2007-8,” (Member Selection), Rhizome.org online,
New Museum, New York
Turbulence.org, Net Art Commission
2006 Traveling
Scholars Award, School of the Museum of Fine Arts, Boston
Scholarly
Research Grant, Pace University
2005 Kenan
Fund, Pace University
Scholarly
Research Grant, Pace University
Equal
Merit Award, 8th National,” Gallery
West, Alexandria, VA
2004 Fine
Arts Scholarship Enhancement Grant, University of Florida,
2000 Gainesville,
FL
1999 University Scholars Program University of Florida, Gainesville, FL
Award
of Excellence, USC International Digital Works on Paper,
McKissick
Museum, University of South Carolina Columbia, SC
1990 National Endowment for the Arts Visual Artist Fellowship
Artist
in Residence, The New York Experimental Glass Workshop,
New
York
Rudolf Arnheim Prize for thesis work, Harvard College
Publications and
Reviews
2008 “Digital
Art,” 2nd edition, by Christiane Paul, curator of New Media,
Whitney
and Reviews Museum of American Art, NY, Thames & Hudson Ltd
Art In America, Gallery Review, “Before and After,” curated by Kristin Lucas,
Postmasters Gallery, NYC
“Tuning in Rorschach Maps,” paper, Will Pappenheimer, published in "Transdisciplinary Digital Art: Sound, Vision and the New Screen", edited by Randy Adams, Steve Gibson and Stefan Muller Arisona, 2008, Springer Publishing, Communications in Computer and Communication Science series
Exhibition Catalog, “SMFA Traveling Scholars,” Museum of Fine Arts, Boston
“Will Pappenheimer’s Glowblots, online review, Ben Alper, Exposure Project, Boston “Tuk-Tuks Topiary by Will Pappenheimer,” review, Saatchi Online, by Ryan Eber
“’Invisible Influenced’ by Will Pappenheimer and Chipp Jansen, “ Rhizome.org, Front page, February 15
2007 Digital
Brainstorming Online, “The
Newest Prick in Google Meets Results in
the Color
Green,” Villö Huszai, July 17
Scan, Media Arts Journal, “Report
on The Digital Art Weeks 2007,”
by
Andrew Jones, July, 2007
Home
Made Labor: Weblog: Music Media Art, “tendency-struggle
among other
things (Digital Art Weeks)” July
12
Click
Here, online, “Digital
Art Weeks, at the interface to the science)”
Villö Huszai,
July 19
“This
is not the Future,” review, roberta fallon and libby rosof's
artblog
NY Arts International, “Hypertexturalities,” Volume 12, No. 1⁄2
2006 NOEMA-
technologie & societa, Telepresence
Art, Anna Vera Meati
NBC
11:00
News, San Francisco and NBC
11.com, Interview, August 7
Turbulence.org, , online, networked_performance, Aug. 10
“Changing
Interiors”, we make money not art.com,, June 7
Turbulence.org, , online, networked_performance, July, 25
weBlogArt- Motion Still Life 1, July, 23
2005 "Electronic
Monumentality," Gregory
Ulmer, University
of
Minnesota
Press,
Chapter 8, "Soft Wishing Y (A Collaboration),”
includes
7 illustrationsPart
of a series called "Electronic
Mediations"
edited
by Sam Weber and Kate Hayles.
TV Cultura, Brazil, Report on FILE 2005, interview
Net
Art, Summary
of FILE 2005
Turbulence.org,
networked_performance, "Here For You," September 30
Zed
TV, Canadian Broadcasting, "The
New New Media," April 1, Interview
with
Andrea Levesque
Neural.it,
on line, Breathe
On Me, possibilità e limiti in telepresenza
Leonardo
On Line Journal, Interactive
Futures, review, Dene Grigar
we-make-money-not-art.com, “Breathe
On Me,” March 7, 2005
Turbulence.org, Breath
as a Fundamental Form of Communication,
networked_performance,
February 4
Boston
Globe, Capturing
life's transience with Skill an Imagination,
Cate
McQuaid, March 25
2003 “Miami
Puts on an Arty Party” New York Times,
Sunday Styles
cover
photo, December 7
Le
Monde website, Culture Section, “Miami, plaque tourante de l’art
contemporaine,
December 9
National Post, Canada, Arts and Life Scene Section, December 9
2002 Art
US (formerly Art and Text), Inaugural Issue, Article:
The
Third Degree. “Soft
Wishing Y for 9/11,” by Gregory Ulmer
Leonardo
Electronic Almanac, July Issue, collaborative project with the
Florida
Research Ensemble (FRE)
2001 Journal
of Visual Culture, Volume 1, Issue 3, collaborative project with
the
Florida Research Ensemble (FRE)
Lectures and Visiting Critic
2006 “Collective
Surveillance Play,” Digital Art Weeks, ETH Computer Systems
Institute,
Zurich, Switzerland
2005 Artist
Presentation, X INDUSTRIA CAFKA 05 hosted by it be the
Contemporary Art Forum, Kitchener and Area, Kitchener, Ontario, Canada
“Transoptical Paradise Now,” “Interactive
Futures05: Technology
in the Life World,” Victoria, British Columbia
2004 “Transoptical Paradise Now,” Center
for Communications
Artist
and Reviews: and Information Technologies, University of Toronto,
Toronto,
Canada
2003 Session
Chair, “Transoptics: Webcam
Network /Artwork Vision,”
Critic
and Reviews College Art Association 91st Annual Conference,
New
York, 2003
Society
for Photographic Education, National Conference, Austin, Texas,
“Amer Emer Agency Zones,” Session
Chair and presenter
2001 Society
for Photographic Education, National Conference
Savanah,
GA
Maine College of Art
Massachusetts College of Art, Center for Interreated Media
1999 Society
for Photographic Education, Southeast Conference,
Dayton,
FL
Center Scholar Lecture, University of Florida, Gainesville, Florida
1996 Panelist, "Beauty
and Desire: A Dialogue Across Disciplines,"
School
of the Museum of Fine Arts, Boston, MA
1993 Fuller Museum of Art, Brockton, MA
Massachusetts Institute of Technology
1991-6 Massachusetts College of Art, Visiting Critic
1990 Harvard
College, Visual and Environmental Studies
Visiting
Critic
1989 The Institute of Contemporary Art, Boston, MA
Collections:
Rhizome.org ArtBase at the New Museum
Smithsonian Institution, Washington, DC
Detroit Institute of the Arts, Michigan
